(July 4 - July 16, 2018)
Outstanding Master Class Series:
1.Secrets and Techniques for Achieving Highly Artistic Pedaling
2.Piano Master Class
(July 17 - 29, 2018)
Outstanding Master Class Series:
Lecture: Schubert's Last Sonatas
- Javier Arias, cello
- William Barbini, violin
- Geoffrey Burleson, piano
- Mellasenah Edwards, violin
- Deborah Harris, flute:
A flute performance class where flute students can play a prepared piece for comments, in a traditional master class setting.
- John Kaboff, cello:
Lecture master class on scales, shifting, intonation and thumb position exercises for strings.
- Catherine Kautsky, piano:
A Celebration of the Debussy centennial through a look at Debussy’s Paris: Piano Portraits of the Belle Époque - the first half of this master class will focus on Debussy, while the second half will consist of a traditional master class.
- Osman Kivrak, viola:
Proper Use of the Vibrato in String Instruments - Topics I will cover will include types of vibrato, matching the speed with the character of the music, transferring the vibrato from one finger to another smoothly, vibrating chords, and more. I would welcome and encourage instrumentalists to play from all periods of music Baroque through Contemporary.
- Katherine McLin, violin:
Building Your Practice Tool Box Through Creative Scale Practicing - This class will explore dozens of approaches to practicing scales, from shifting and sound production to left hand dexterity, with the goal of providing violinists with tools that will aid repertoire preparation.
- John Michel, cello
- Kineko Okumura, violin
- Carrie Rehkopf, violin
- Martha Thomas, piano
- Nathan Warner, trumpet:
- From Heart to Horn: Allowing the inner voice to sing through the instrument
- Shellie Beeman, voice:
Traditional Voice Master Class - A voice master class focusing on standard vocal techniques in addition to diction, musicality, and communication.
- Ruth Boden, cello:
From Bach to Rock; Improvisation 101 - For all instruments - Participants will learn basic approaches to improvisation, ornamentation, and cadenza composition.
- Ilze Brink-Button, French horn:
French horn Master Class and French horn Ensemble
- Ivana Cojbasic, piano:
Creative Study of Sound, Rhythm, Movement and Phrasing - Open to all levels of piano students, from elementary to advanced - Students are encouraged to bring sections of the repertoire pieces they would like to focus on in this master class.
- Nora Lee Garcia, flute:
Woodwinds: Body Awareness Master Class and Alexander Technique. Open to all Woodwinds, check any tension and how to prevent injuries.
- Gert Kumi, violin:
- Connection between Intonation and Tone and how to be expressive in our playing
- Kevin LeFohn, violin
- Sohyoung Park, piano
Technical Principles to Play Chopin’s Op.10 Etudes According to Chopin - In addition to work with individual pianists on their repertoire, a discussion session will be followed on the technical principles to play Chopin’s Op.10 according to the insights from Chopin’s “Sketch for a Method.”
- May Phang, piano:
Piano Masterclass - What's next?
- Teresa de Jong Pombo, piano
- Krysia Tripp, flute
Masterclass for Woodwind Players - Description if any: Students can perform literature of their choice in a Masterclass setting
- Nataly Gingis, piano
- Danwen Jiang, violin:
Open violin masterclass with professor Danwen Jiang from Arizona State University - Students may sign up to perform in the masterclass, or participate in an open discussion on various performance related techniques through the masterclass.
- Beatrice Long, piano
- Christina Long, piano:
Connecting Music Theory to Musicality - By exploring clues in the music given by the composers, we will be able to establish a solid foundation for more imaginative musical interpretation.
- Anca Nicolau, violin:
Baroque Style - as exemplified by the works of Bach, Handel, Telemann, etc. on the one hand, and those of Vivaldi, Corelli, Geminiani, etc. on the other, specifically on how to best understand the Baroque style, and the musical works of that era, and therefore on how to best be able to represent such understanding through our performances, giving as reason the fact that such stylistic understanding is the key to our full enjoyment, both as performer and audience, of these musical masterpieces of the Baroque era.
- Richard Novak, voice
- Gerardo Teissonniere, piano
The Legacy of Cortot and Schnabel - Music of Chopin and The First Viennese School. A pupil of two disciples of Artur Schnabel and Alfred Cortot, Gerardo Teissonnière brings a unique perspective to two of the most important traditions in the history of piano performance.
- Shi-Hwa Wang, violin Yu-Jane Yang, piano